#ME TOO AND ITS PARADOX
Maret 11, 2020
Oleh: M. Afifulloh
(Mahasiswa S3 Pengkajian Amerika Universitas Gadjah Mada dan Dosen Sastra Inggris UBB)
(Mahasiswa S3 Pengkajian Amerika Universitas Gadjah Mada dan Dosen Sastra Inggris UBB)
(Getty Images) |
MeToo
movement is one of the women movements aiming at women's right in equal access.
It is public discourses about sexism, sexual harassment or sexual violence
experienced by women at some point in their life. This study is conducted to
analyze how #MeToo movement on Social Media as a symbol of gender equity in and
beyond the workplace be a new narrative norm or social construction relating to
the toxic of masculinity. How this movement turn into a call for judgment and
polarized though: men as perpetrators of sexual violence and women as victims.
This paper explains how this movement become polarizations in social life.
These polarizations will be seen by two perspectives, feminism and patriarchy.
Before
discussing the topic, it is necessary to highlight that discourse is unstable
meaning. There is always another side in drawing meaning. As Derrida said that
binary opposition is the center of meaning. Mapping the lines that separate the
“sides” map onto the logics of mutual exclusivity such as moral or immoral,
good or bad, and black or white binaries. There is always a
contradiction, as a symbol, language needs to be interpreted in various
ways aiming at obtaining the closest meaning as deconstructionist claims
that the duplicitous nature of language makes stable meanings impossible.
Deconstruction
destabilizes the relationship between signifier and signified. The signifier,
the word we hear or read, is of course stable enough, but what it signifies?
The signified is according to Derrida subject to an inherent instability.[1] We
all know that this instability exists at another level; the meaning of words
may change over time, for instance, and phrases that once contained vivid
metaphors may now have lost their metaphorical edge. From Derrida’s
perspective, language never offers us direct contact with reality; it is not a
transparent medium, a window on the world. On the contrary, it always inserts
itself between us and the world, like a smudgy screen or a distorting lens.
According to Zima[2],
deconstruction takes its name from Derrida’s practice: his strategy of
analyzing and dismantling texts or more usually, parts of texts in order to
reveal their inconsistencies and inner contradictions.
As we know
that feminism is a movement and a set of beliefs that problematize gender
inequality. Feminists believe that women have been subordinated through men's
greater power namely ‘patriarchy’, a social system that is centered by men
order. The subordinations are variously expressed in different arenas. By
Feminism, they value women’s lives, concerns, and work to improve women's
status in social life. Feminist consider how to use their resources (both
material and intellectual) to further their goals, and which demands of their
institution should be resisted in the name of feminism. The hashtag #MeToo on
social media is one of the forms of how the woman use their resources to resist
men power as institution. This #MeToo movement brings social opinions about how
men as a center, legitimate their oppressive domination to women. #MeToo
movement is dedicated to ending the sexual violence in women life. The response
was overwhelming, demonstrating the pervasive nature of sexual harassment,
abuse, and violence in women social life. The #MeToo movement is successfully
be a new narrative norm or social construction relating to the toxic of
masculinity, not only in America but the world. This movement is such of the
symbol of seeker of truth and the source of truth. The notions of male
dominations are clearly portrayed on all the hashtag. This notion is a typical
of gender constructed hegemony. Sexual harassment in workplace often occurs in our
social life and this is seriously matter. Women who experienced
sexual harassment need to speech out in public and in the law
discourses. The #MeTo movement as a ‘shelter’ for women to tell the
story about how men threat them as a sexual object has been successful to
foster awareness of discrimination.
The problem
is when some women who legitimate as victim in this movement takes apart not
because they are victim but political goals. They take advantage this movement
to mobilize mob of people so they can socially construct that patriarchy is a
power and this power should be demised. The complaint represented by this
movement is an individual complaint on social media which later becomes a
judge, jury, and executioner (symbolic), but they are unable to explain whether
the alleged action was wrong before the law. It operates through ‘blind’ rage
that’s not based on facts and the prejudices that destroy the lives of people
whose crime has not been proved in numerous cases.
The movement
makes people aware of the hidden social reality, since power disguises
it. The other is a barbaric legitimacy that forms a social law;
anyone can judge people without sufficient evidence and in one case only as a
story or ‘fake-essay’ that brought down the mostly men whose socially and
economically in high-class. The questions are who is ‘him’? Who is ‘her’? This
movement in some point is only as a profitable economic tool. The victims take
a shortcut to be famous or earn a lot of money only by upload ‘her story’. It
is very dangerous if social media is a law legitimating. The
movement is judged as ultimately “good” or “bad” with very little consideration
of what these moral signifiers might mean, and positioned as “left” or “right”,
with little to no interrogation of the constitution or historicity of these
positions.
[1] Hans Bertens. 2008. Literary Theory. The basics. 2nd edition. Taylor and Francis Group: London and New York, p. 98.
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BIODATA PENULIS
Penulis bernama M.Afifulloh saat ini sedang mengambil studi untuk gelar Doktornya di bidang Pengkajian Amerika di UGM. Ia merupakan dosen Sastra Inggris di Universitas Bangka Belitung. Disamping itu, ia memiliki bisnis kuliner dengan nama "Dapoer Alana" yang saat ini berjuang mengalahkan Mc. Donald dan KFC, untuk menguasai bisnis perkulineran di dunia
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